alfred boogie chin fictional character

He’s also a hip-hop and basketball fan. In one scene with Eleanor, Boogie muses over the significance of beef and broccoli and how it represents his background. Set to be released on March 5, filming wrapped up on BOOGIE before Pop Smoke’s passing last year. The directorial debut of Eddie Huang (Fresh Off the Boat), BOOGIE finds Pop playing Monk, the basketball rival of main character Alfred “Boogie” Chin (played by Taylor Takahashi). All Rights reserved. Boogie does two of the three. Boogie has been years in the making. Pop Smoke played the character Monk, a rival to Takahashi’s character. Lee’s story dealt specifically with redemption and the absenteeism of a Black father for his weary talented son. The character of Alfred “Boogie” Chin, played by Taylor Takahashi in writer-director Eddie Huang’s Boogie, should be familiar to anyone who’s ever seen an underdog sports movie. I am and always will be a total sucker for sports films. The problem is the film doesn't have a hook that brings it all together in the end. His mother is as conscious of stereotypes as her son. It can sometimes feel like if you have seen one underdog sports movie, you have seen them all. Muscle-bound, swaggering, and a hip-hop baby, he’s also not exactly the subtlest Romeo. Overall, Eddie Huang’s aim in mounting a basketball drama that also wants to be a probing family drama has the aggravating tendency to believe it’s stating one thing when the whole indicates quite another. His temperamental father (Perry Yung) is now on parole. What is obvious is that Huang’s “Boogie” is a 90-minute aimless mess that sets back as much as it saves. With his best-selling autobiography “Fresh Off the Boat,” chef and restaurateur Eddie Huang eloquently explained the othering of Asian Americans. Muscle-bound, swaggering, ... the Queens native Alfred “Boogie” Chin (Taylor Takahashi), and his bid to earn a college scholarship. Coming-of-age story of Alfred "Boogie" Chin, a basketball phenom living in Queens, New York, who dreams of one day playing in the NBA. With Taylor Takahashi, Pamelyn Chee, Jorge Lendeborg Jr., Taylour Paige. His feature directorial debut “Boogie” concerns a talented Taiwanese American high school basketball player, the Queens native Alfred “Boogie” Chin (Taylor Takahashi), and his bid to earn a college scholarship. That battle eventually sees her hiring Melvin (Mike Moh) to manage her son, though Melvin also has her on his mind, and Boogie’s father landing in jail again. I’m not sure I’ve ever seen a sex scene — or presex scene — quite like the one that arrives halfway through “Boogie,” Eddie Huang’s fascinatingly thorny new drama about a high school basketball star. Focus Features releases “Boogie” in theaters on March 5, 2021. Frustratingly, the game’s distant action isn’t compelling either. houstonchronicle.com - It only takes a few minutes of “Boogie” before the title character, high school basketball star Alfred “Boogie” Chin, lets loose on Jeremy Lin. Pop Smoke appears in the trailer for the new coming-of-age film “BOOGIE” Playing In Theaters March. Boogie, née Alfred Chin, is styled like Huang too, with close-cropped hair and comfy streetwear. We encourage readers to follow the safety precautions provided by CDC and health authorities. (Awkwafina has often been accused of appropriating an already established Black American aesthetic to define a still-burgeoning Asian American image.). His plan, however, is nonsensical: College basketball recruiters aren’t nabbing players based on marquee matchups. Yet for all of his swagger, he’s vulnerable and desperately searching for a place to belong. While his parents pressure him to focus on earning a scholarship to an elite college, Boogie must find a way to navigate a new girlfriend, high school, on-court rivals and the burden of expectation. Boogie distrusts his teammates, his domineering mother, scheming father, skeezy manager, and faithful girlfriend — but these hurdles don’t translate into actionable stakes for the high school prospect. There, Huang inertly explicates both the pressures felt by Asian American children to succeed and the rot of trauma. Boogie isn’t a perfect protagonist, and at times you may find yourself rooting against him. That would be Alfred "Boogie" Chin (Taylor Takahashi), who's nervous about losing his virginity to his girlfriend, Eleanor (Taylour Paige); when she urges him to … He often undercuts his film’s central theme — how first-generation Asian Americans search for their own identities in a white society that consistently stereotypes them — by participating in the same generalizing he decries. Even when the stereotypical inspirational theme of “never giving up” rears its ugly head, the bits of genuine feeling is lost. As it was so eloquently chronicled in the documentary Hoop Dreams, only a tiny percentage of high school stars ever play in college, let alone in the NBA. The monotonous Takahashi can’t exude the hurt that’s felt when the world sees you only as a stock option. Yes, this scene shows him learning to trust his teammates. The story does get a bit crowded, though, and some plotlines get pushed aside. Eddie Huang's directorial debut, Boogie is a refreshing hip-hop-infused coming of age sports drama that does not have to fake it to make it. A more effective film would have us more empathetically aligned with his character. 'The Affair' Review: Carice van Houten Carries a Generic Melodrama About a Remarkable House This basketball tale is more of an airball than a slam dunk. From the way he dresses, to the music he pumps into his ears, Boogie is clearly influenced by Black American culture. While Boogie manages to capture the struggles of getting to the NBA, it never manages to rise above its weak, formulaic script. Sign up for our Email Newsletters here. That’s what Alfred ‘Boogie’ Chin (Taylor Takahashi) is: temperamental like his father (Perry Yung), culturally respectful like his mother (Pamelyn Chee), and intuitive enough to realize he’s been trapped between them without a voice of his own. In this regard, Huang takes his cues from another basketball movie about an up-and-coming player who must mortgage his college future to help his jailbird father — Spike Lee’s “He Got Game.” Huang, however, lacks the same handle on Boogie that Lee possessed with the father-son dynamic of Denzel Washington and Ray Allen. He’s as misunderstood as a bungee cord used as a tightrope, but even when he signs the deal with the CBA, Takahashi leaves that wound covered. There’s a story and some measure of sympathy that comes out of that struggle. But without tethering that growth to a tangible victory, the subtle ways this lesson will change his life are moot. Unfortunately, the collegiate demand for Asian basketball players is slim-to-none. Huang’s aimless screenplay does little to assist the young actor. Oscars 2021: Best Production Design Predictions But this isn’t a bad thing; in showing his character flaws, ultimately he’s more sympathetic. Huang, however, also participates in the same type of othering by turning Monk into an underdeveloped final-round villain. Biggest Iron Man fan you'll probably ever meet. If Huang focused on the trio’s fraught dynamic, this coming-of-age story would elevate to the basket. The late Brooklyn rapper Pop Smoke plays the titular character… The compositions, flat and drab, are equally frustrating: Even when the home erupts in argument, we’re still caught at a distance. The … Directed by Eddie Huang. “Boogie” is strongest when it explores the real-life anxieties of labels and stereotypes. As new movies open in theaters during the COVID-19 pandemic, IndieWire will continue to review them whenever possible. Stay on top of the latest breaking film and TV news! Huang doesn’t want us to see much, and maybe that’s for the best. His parents were Chinese nationals who immigrated to America. Huang’s first feature, however, uplifts the Asian American struggle while falling into the same othering it purports to despise for an aimless, senseless, undramatic sports flick. When Boogie Chin gets an offer to join the CBA (Chinese Basketball Association), that takes over the narrative, and his relationship with Eleanor (Taylour Paige), although it starts strong, fizzles and never goes anywhere. And it’s not altogether clear if Asian Americans or any viewer should root for Boogie. Copyright © 2020 Nerd Reactor. The point is driven home well thanks to solid performances by Takahashi and Paige, who complements Chin’s character perfectly. That would be Alfred “Boogie” Chin (Taylor Takahashi), who’s nervous about losing his virginity to his girlfriend, Eleanor (Taylour Paige); […] Additionally, our coverage will provide alternative viewing options whenever they are available. Showing off to gain more attention, Kyle only alienates his teammates and coach, which results in his mother (Pamelyn Chee) taking control away from his out-on-bail father (Perry Yung) and pushing Boogie towards a different path to the NBA. Paige is so lively and Takahashi is so dull, the pair never match. Related Sundance 2021 Deals: The Complete List of Festival Purchases So Far. That would be Alfred "Boogie" Chin (Taylor Takahashi), who's nervous about losing his virginity to his girlfriend, Eleanor (Taylour Paige); when she urges him to … And while Ali Shaheed Muhammad and Adrian Younge’s oddly brooding score distracts from the marital spat’s seriousness, Chee keeps us in the parental power struggle. Yet for all of his swagger, he’s vulnerable and desperately searching for a place to belong. Unfortunately, his feature debut is a ridiculous cliché of a film—even by basketball drama standards. Sign up for our Email Newsletters here. As a character, Alfred “Boogie” Chin is young, driven, and so very cocky. Boogie is a hotshot basketball player who could lead a team to the championship if only he could check his ego and play as a teammate. Boogie, an American drama film produced by Eddie Huang tells the story of Alfred "Boogie" Chin, a basketball phenom residing in Queens, New York who dreams of playing in the NBA while handling parental expectations, high school, a new girlfriend, on-court rivals, and the burden of expectations. The same can be said of Boogie’s relationship with his parents. Without Boogie’s collegiate ambitions, the climatic streetball game between Boogie and Monk fizzles because the nonexistent stakes render the contest meaningless. As a narrative, Boogie is one part Above the Rim and another part He Got Game. When a college recruiter from Georgetown visits their home, she worries about how their apartment could look like a spa or a Chinese restaurant. Boogie, in fact, routinely stalks Monk at a pickup basketball court, as though for Boogie to be fully Americanized, he must leap over the progenitor of the culture he’s appropriated. It’s as though neither he nor Huang are terribly interested in basketball. Jumpcut to 2019 as that child, the lanky high school senior named Alfred “Boogie” Chin (Taylor Takahashi) has used his considerable basketball skills to gain entry into an elite NYC prep school.

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