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It's has a beautiful analog veneer. Rated #890 in the best albums of 2020. Thank you for the art you left behind, David Berman. It makes this album Destroyer’s most contemporary record since the start of the last decade, when Kaputt ‘s “party’s over” atmosphere touched a nerve in the post-crash years. Kyoto & Garden Song are wondrous Label: Merge Records – MRG709. Format: Vinyl, LP, Album, Limited Edition, Blue Swirl. Exploring and overturning genres Dan bejar has announced that his thirteenth album as Destroyer, titled have we met, will be released on 31st January 2020 via Dead Oceans have we met, as Dan bejar puts it, 'came together in such a crazy way - all equal parts ecstasy and terror'. Pierre Leroux, A dazzling record heavily informed by Britpop, that recalls the sterling sounds of Catherine Wheel and The Cure, finally reissued. Not unlike his lyrics—which are the most layered and entertaining they’ve been in years, both dark and funny—the resulting music is as vexing and strange as it is comforting and familiar. Thirteen albums in, ‘Have We Met’ manages to meet somewhere between trademarks and new territory - atmospheric approximations of feeling and place, wry gut-punches of one liners and the deluge of energy meets a thematic catharsis of modern dread, delivered with an effortless, entrancing directness. 10 tracks (42:11). The 10 songs on this opus, produced by John Collins (he also took care of the bass, synthesizers, and programming) are of a tasty, controlled casualness. And yet, he can still aim for the heart. Listen to our Best New Music playlist on Spotify and Apple Music. Destroyer Shares New Video for 'Have We Met' Track "foolssong" Destroyer were in the midst of a massive tour in support of their recent Have We Met … Though I usually cringe at the phrase, it feels like the perfect music for this moment, at least for me. ICU, powerful, sweeping Compared to 2017’s ken, a gothic-sounding record distinguished by chillier tones and pared-down lyrics, his masterful new album Have We Met sets a larger canvas. Renaissance genius. While he once accompanied these gestures with rambly, glammy folk-rock, Bejar has spent the past decade mining the milder tones of sophisti-pop, soft rock, and adult contemporary: genres so removed from youthful abandon that even speaking their names has a somewhat sobering effect. Crimson Tide Lyrics. Have We Met is, like Lodger, the keystone to a decade. Country: US. Spend enough time listening to Destroyer and the world will start to resemble a Dan Bejar song—when a bon vivant slips in an unexpected curse word; when a friend tries to place a melody by humming the guitar part; when a common phrase twists into a surrealist riddle via an AutoCorrect mishap. 31 January 2020 . Pitchfork is the most trusted voice in music. When I wrote about indie and alternative artists who significantly changed their sound, I noted how Destroyer’s 2011 release Kaputt was something of a turning point for the band. Have We Met, Destroyer’s 13th studio album, sounds like a companion piece to 2011’s Kaputt, both in style and in substance. Thank you for the art you left behind, David Berman. Other than the proudly synthetic music that accompanies it, what separates Bejar’s writing from peers like John Darnielle or Bill Callahan is a refusal to follow any kind of emotional arc. Dan Bejar, the man behind the musical entity Destroyer, has always been the master of apt sarcastic, lyrical ennui set to engaging sonics. 7.7K 2. Title song “Have We Met” is a cavernous guitar solo, a breather before the finale that calls back a little to the early Destroyer albums’ experimental interludes. “It’s called love,” he sings in “University Hill,” moments after listing, one-by-one, the scattered remains of a hacked-up body. Have We Met 9. Its complex, layered, & elegant. Sonically, the indie rock instrumentation blends well with the country-inspired elements to create an album that feels somber yet oddly reassuring. Includes 12” × 12” lyric insert and digital download card. Initially conceived (but quickly ditched) as a Y2K album, bejar was without a clear concept in mind. A dazzling record heavily informed by Britpop, that recalls the sterling sounds of Catherine Wheel and The Cure, finally reissued. It's has a beautiful analog veneer. The more elaborate and professional his arrangements have grown, the more Bejar has withdrawn. Finally, closer “Foolssong” is something like the last sunset or sunrise – a beatless, and again, bittersweet piece. David Berman's down-to-earth and reflective, yet at times comedic lyricism was unlike any other artist. On January 31st under his Destroyer moniker, he will release his inspired thirteenth album “Have We Met”. The unpredictable and captivating Dan Bejar, leader of the band, surprises yet again on Destroyer’s 13th album, Have We Met. The balance between eccentricity and accessibility is not an easy one to strike, but Bejar has had some practice at it. Have We Met is the twelfth studio album by Canadian indie rock band Destroyer, released on January 31, 2020 by Merge Records and Dead Oceans. Destroyer – ‘Have We Met’ review: irony laced retro-futurism from a master of his craft. Genre: Rock. Have We Met Tracklist. This a gem of an album. Merge . He sent those vocals to longtime Destroyer collaborator and fellow member of the lauded indie rock super group The New Pornographers, John Collins, who handled Have We Met's synths and production. As of late, Bejar seems to think a lot about getting older. “I can’t believe...” go its closing lyrics, fading out on an unresolved final scene. To coincide, a London headline show at Village Underground has been announced for 5th May 2020, with more tour news to follow. Kinda Dark Lyrics. RIP. It’s music that feels connected to middle age, and Bejar has navigated his 40s using its muted horns and lush synths to accompany visions as fragmented and nightmarish as ever. Destroyer (4) ‎– Have We Met. A chilling enough message on its own, but then he continues: “The dead twist and shout/In an invisible world/The Grand Ole Opry of Death is breathless.... Breathless.” Now, we’re back in his domain—an unlikely chorus, a couple puns—as he sweeps us from the world we know toward some strange afterlife, where the audience is as bewildered as us and the artist on stage has never sounded more at home. Same goes for the closing moments of the record: a hellish coda of buzzing samples, like a demonic YouTube tab left open by mistake. It’s not the first time that Bejar has addressed someone in his field—“Don’t be ashamed or disgusted with yourselves,” he once told his critics—but its spectral atmosphere makes it feel like a different, darker type of in-joke. The ominous tone of Have We Met is telling of the “100 seconds to midnight” hysteria of 2020 — a time in which it cannot seem possible for things to get any worse and yet they invariably do. “Cue Synthesizer” is the first Destroyer song to feature a prominent slap-bass part; the title track is so wispy and vaporous that Bejar’s voice never actually appears in it. Have We Met’s gloomy lyrics and pared-back instrumentation shouldn’t turn you off from what’s essentially a great release.. Punisher, a sparkling gem stone It’s meditative, it’s woozy and it’s unspeakably grim — in short, it’s a Destroyer record. Bandcamp New & Notable May 3, 2021, supported by 139 fans who also own “Have We Met”, David Berman's down-to-earth and reflective, yet at times comedic lyricism was unlike any other artist. Style: Alternative Rock, Indie Rock. ... more. Renaissance genius altupliftingfan, supported by 175 fans who also own “Have We Met”, supported by 140 fans who also own “Have We Met”, This a gem of an album. Produced by bandmate John Collins, the music is sweeping and bold and surprising. If you like Destroyer, you may also like: supported by 177 fans who also own “Have We Met”, Kyoto & Garden Song are wondrous ICU, powerful, sweeping 3. Vancouver, British Columbia, Dan Bejar started Destroyer as a solo home-recording project in the early to mid-nineties. This is not glitter pop. 4. … After their odd venture on ‘ken’, Dan Bejar and company somewhat go back to basics on their latest LP. DOC206digital; Lossless Digital). The titular Have We Met is an ambient meditation similar to Loscil's vinyl-only contribution on one of Destroyer's most beloved albums, Destroyer's Rubies. This is not glitter pop. Spacious, celestial rock from this artist from Portugal, where constellations of twinkling guitars surround pleading vocal melodies. “The Television Music Supervisor” is one of them—an eerie, ambient ballad narrated from the deathbed of a music-industry gatekeeper, haunted by regret. Have We Met. The effect is elusive but visceral. Have We Met, an Album by Destroyer. When the drums hit and the electric guitar attacks out of nowhere, it feels genuinely startling: the appearance of the looming threat he’s been slowly backing away from the whole time. (“When you’re looking for Nothing/And you find Nothing/Is more beautiful/Than anything you ever knew.”) In the extraordinary “Kinda Dark,” he delivers his apocalyptic verses in a distracted whisper over subdued electronic scenery. The actual music on Have We Met isn't particularly remarkable. Year: 2020. "My Mystery" b​/​w "My Mystery (DJ johnedwardcollins​@​gmail​.​com remix​)​". On his masterful new album, Dan Bejar moves like a ghost through his familiar and inscrutable universe. That is, it’s precisely the kind of thing we expect from our master songwriters nearing 50—his own twisted way of saying: seize the day while you still can. Longrunning shapeshifting Canadian indie project, Destroyer, sees cult frontman & occasional New Pornographers member Dan Bejar glide through a wonderfully gloomy synth pop mire playing the ghostly apocalyptic poet on 13th album, Have We Met.This is a masterpiece in the surreal which will marvel & delight in equal measure to those under his spell. It Just Doesn’t Happen 4. The Television Music Supervisor 5. RIP. It features sonic reminders of the three other Destroyer albums of the 2010s (Kaputt, Poison Season and ken) and so much more. University Hill 8. Watch the video for Have We Met from Destroyer's Have We Met for free, and see the artwork, lyrics and similar artists. such as glam, MIDI, yacht rock, & even underground Spanish independent artists, Bejar was proclaimed “Rock’s Exiled King” by The Fader. such as glam, MIDI, yacht rock, & even underground Spanish independent artists, Bejar was proclaimed “Rock’s Exiled King” by The Fader. Released 31 January 2020 on Dead Oceans (catalog no. Compared to 2017’s ken, a gothic-sounding record distinguished by chillier tones and pared-down lyrics, his masterful new album Have We Met sets a larger canvas. “I’m ready to completely lose sight of all that is good.” The favored concerns of aging writers—wisdom, directness, sentimentality—remain anathema to his work.

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